[93] Stories remain a common way of entertaining a group that is on a journey. Showing how stories are used to pass the time and entertain an audience of travellers, Chaucer used pilgrims in his literary work The Canterbury Tales in the 14th century, as did Wu Cheng'en in the 16th century in Journey to the West. Even though journeys can now be completed much faster, stories are still told to passengers en route in cars and aeroplanes either orally or delivered by some form of technology.
Court entertainment often moved from being associated with the court to more general use among commoners. This was the case with "masked dance-dramas" in Korea, which "originated in conjunction with village shaman rituals and eventually became largely an entertainment form for commoners".[31] Nautch dancers in the Mughal Empire performed in Indian courts and palaces.
The power of stories to entertain is evident in one of the most famous ones – Scheherazade – a story in the Persian professional storytelling tradition, of a woman who saves her own life by telling stories.[94][95][96] The connections between the different types of entertainment are shown by the way that stories like this inspire a retelling in another medium, such as music, film or games.
Amid a starry cast, Edgar-Jones especially gives a "beautifully understated" turn as a woman struggling with same-sex attraction – but there's too much plot for the film's own good.
New jobs have appeared, such as gaffer or special effects supervisor in the film industry, and attendants in an amusement park.
Aristotle posed questions such as "What is the function of the arts in shaping character? Should a member of the ruling class merely watch performances or be a participant and perform? What kind of entertainment should be provided for those who do not belong to the elite?"[101] The "Ptolemys in Egypt, the Seleucids in Pergamum" also had a strong theatrical tradition and later, wealthy patrons in Rome staged "far more lavish productions".[102][103]
Court ceremonies, palace banquets and the spectacles associated with them, have been used not only to entertain but also to demonstrate wealth and power. Such events reinforce the relationship between ruler and ruled; between those with power and those without, 九游娱乐 serving to "dramatise the differences between ordinary families and that of the ruler".[34] This is the case as much as for traditional courts as it is for contemporary ceremonials, such as the Hong Kong handover ceremony in 1997, at which an array of entertainments (including a banquet, a parade, fireworks, a festival performance and an art spectacle) were put to the service of highlighting a change in political power.
Now classed as a historical monument, this music hall dates from 1887 but was redecorated a century later by Philippe Starck. Artists who have performed…
The 36-year-old South African musician has been steadily stripping back his mask since his 2019 debut album “Pony.” Peck spoke with AP music journalist Maria Sherman about his growing confidence, his high-profile collaborations and country radio.
Capital punishments that lasted longer, such as stoning and drawing and quartering, afforded a greater public spectacle. "A hanging was a carnival that diverted not merely the unemployed but the unemployable. Good bourgeois or curious aristocrats who could afford it watched it from a carriage or rented a room."[quarenta] Public punishment as entertainment lasted until the 19th century by which time "the awesome event of a public hanging aroused the[ir] loathing of writers and philosophers".[quarenta] Both Dickens and Thackeray wrote about a hanging in Newgate Prison in 1840, and "taught an even wider public that executions are obscene entertainments".[40]
Michael Keaton says it would have been a “huge mistake” for his titular trickster ghost character to get significantly more screen time in “Beetlejuice Beetlejuice” than he did in the first film.
Didgeridoo player entertaining passers by in the street Street entertainment, street performance, or "busking" are forms of performance that have been meeting the public's need for entertainment for centuries.
But all the same, I think it is the most wonderful thing that I have ever experienced, and I congratulate you with all my heart on this wonderful discovery.
AP entertainment journalist Leslie Ambriz sat down with the 31-year-old performer in Los Angeles to talk about her love of film, personal growth — and controversy over her “Aceita” music video, which shows rituals from her Afro-Brazilian faith Candomblé.